Sticks and Stones . . . and Trigger Warnings

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Why do we educate? To meet a demand? What kind of demand are we addressing? I’ve been thinking about what it means to educate as opposed to teach. And then as I read, yes, The Atlantic, there was an article  related to my ruminations. In “The Coddling of the American Mind,” Greg Lukianoff and Jonathan Haidt address the limitations that are being heaped on professors as they work to provide students with reliable and unabridged content in their classrooms. This is really a tangled and complex subject to discuss and cannot fully be addressed in a single blog post, but the core of the issue, to me, is this: Anyone able to access higher education (i.e., they have graduated from high school) is presumed to be old enough and academically experienced enough to engage in open discussion and debate in relation to specific subject matter that is voluntarily received (i.e., attending college is optional, not compulsory).

Even the required core courses can be dropped and taken another time or online if a student does not like the professor, classmates, or topics. So, is it really necessary, even logical, to put the onus on the professors to offer Trigger Warnings to students in case an individual has experienced some form of trauma that may or may not be triggered by a reading, discussion, or even word that no one not related closely to said student could possibly predict? Can the individual even know ahead of time that something may trigger him/her? If the student does know that they cannot tolerate certain subject matter, shouldn’t they be obligated to ask the professor the overall trajectory of the course’s subject matter? Isn’t that what the first day and the syllabus are for?

Now, for those who think in terms of difficult schedules and the student’s inability to simply drop or change classes without their entire academic or work schedule being dismantled or seriously affected, I ask: Isn’t life littered with such inconveniences and dilemmas? What happens if someone breaks their leg and their job entails moving around quite a bit?  Does this mean the employers change the nature of the job or the employee figures out how to do the job, take a leave of absence, or go on disability? The latter of course.

So, if a student cannot tolerate, for any reason, the nature of the subject matter in a course, the course does not need to change, the student must regroup and figure out how to work with the need for change. Like an employee, the student can always approach the professor or the Chair or the Dean and discuss possible alternatives. BUT if the alternatives change the nature of the learning outcomes for that course, the student then is not actually engaging in that class. This then means the student must meet their objectives for core coursework or major concentration by changing classes, period. The student must acknowledge that there is more personal work to be done before they can fully engage in their academic ambitions.

There is no law or rule that says one cannot return to school when more mature, secure, or confident. After all, putting education on your terms is not about treating learning like a commodity or creating a rigid protocol on what you are willing to encounter, but acknowledging that you have limitations to overcome and strengths to draw from and taking the responsibility to make the changes and adjustments needed rather than forcing very carefully considered and scheduled materials to be altered.

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Heron Moon Press

I am an adjunct assistant professor of English at Pace University in NY, adjunct faculty in English at Raritan Valley Community College in NJ, an online member of the adjunct faculty at SNHU College of Online and Continuing Education, as well as a freelance editor and writer. For many years, I've taught, guided, and tutored many individuals from those as young as kindergarten age to Grad-school students. I've worked on fiction, nonfiction, and memoirs. What has given me the greatest pleasure, is when I have students get together in a group, and create a story together. I offer the theme (e.g., Create a version of Red Riding Hood) and they run with it. I hope to offer this community collaboration to many more people. The goal is to prove that you don't have to be alone to write, you don't have to offer yourself up alone to the group, you can collaborate and offer the world (yes, the world is the community) a chance to create a narrative together. The results have been amazing.

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